imagining-extinction

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La 4e de couverture de la jaquette indique : "How should science be written? It is a question that piqued natural philosophers of the seventeenth century as they experimented with the rhetorical figures, neologisms, verse-forms, and generic variety that characterise the literary texture of their work. Inspired laymen were quick to borrow from the new philosophy and from practising scientists in order to deploy ideas and images from astronomy, optics, chemistry, biology, and medicine. Between them, scientists, natural historians, poets, dramatists, and essayists produced new, adjusted, or hybrid literary forms. The Poetics of Scientific Investigation in Seventeenth-Century England examines those forms and that literary-scientific texture, as well as representations of the scientific--the laboratory, collaborative experimental retirement, and the canons of scientific conversation--and proposes that the writing of seventeenth-century science mirrors the intellectual and investigative processes of early-modern science itself"

Fiction and the Sixth Mass Extinction is one of the first works to focus specifically on fiction's engagements with human driven extinction. Drawing together a diverse group of scholars and approaches, this volume pairs established voices in the field with emerging scholars and traditionally recognized climate fiction ('cli-fi') with texts and media typically not associated with Anthropocene fictions. The result is a volume that both engages with and furthers existing work on Anthropocene fiction as well as laying groundwork for the budding subfield of extinction fiction. This volume takes up the collective insistence on the centrality of story to extinction studies. In various and disparate ways, each chapter engages with the stories we tell about extinction, about the extinction of animal and plant life, and about the extinction of human life itself. Answering the call to action of extinction studies, these chapters explore what kinds of humanity caused this event and what kinds may live through it; what cultural assumptions and values led to this event and which ones could lead out of it; what relationships between human life and this planet allowed the sixth mass extinction and what alternative relationships could be possible.

Scholars of ecocriticism have long tried to articulate emotional relationships to environments. Only recently, however, have they begun to draw on the complex interdisciplinary body of research known as affect theory. Affective Ecocriticism takes as its premise that ecocritical scholarship has much to gain from the rich work on affect and emotion happening within social and cultural theory, geography, psychology, philosophy, queer theory, feminist theory, narratology, and neuroscience, among others. This vibrant and important volume imagines a more affective—and consequently more effective—ecocriticism, as well as a more environmentally attuned affect studies. These interdisciplinary essays model a range of approaches to emotion and affect in considering a variety of primary texts, including short story collections, films, poetry, curricular programs, and contentious geopolitical locales such as Canada’s Tar Sands. Several chapters deal skeptically with familiar environmentalist affects like love, hope, resilience, and optimism; others consider what are often understood as negative emotions, such as anxiety, disappointment, and homesickness—all with an eye toward reinvigorating or reconsidering their utility for the environmental humanities and environmentalism. Affective Ecocriticism offers an accessible approach to this theoretical intersection that will speak to readers across multiple disciplinary and geographic locations.

Introduction: Why Extinction Matters -- The Meaning of Extinction: Catastrophe, Equilibrium, and Diversity -- Extinction in a Victorian Key -- Catastrophe and Modernity -- Extinction in the Shadow of the Bomb -- The Asteroid and the Dinosaur -- A Sixth Extinction? The Making of a Biodiversity Crisis -- Epilogue: Extinction in the Anthropocene.

More than just a self-help book, this Sixth Edition of Watson and Tharp's highly successful text continues to provide readers with step-by-step instructions for carrying out a program of self-modification. As readers experience behavior modification in the laboratory of their own lives, they learn sound scientific principles and coping skills for personal problem solving that will be with them for the rest of their lives. Although the authors deal with specific topic areas such as improving study habits, managing stress, or overcoming depression, the book does not narrowly focus on overcoming specific problems. Instead, it emphasizes behavior modification principles students can apply again and again...Watson and Tharp guide students through exercises for developing skills in self-analysis and provide them with concrete information on how to achieve personal goals. Case reports of their own students' self-change projects and others solicited from users of previous editions provide models for success. In addition, the authors include data from empirical field testing of the text indicating that students in courses using this book have achieved self-change goals at percentages varying from 66% to 84% (e.g., Clements & Beidleman, 1981; Hamilton, 1980; Rakos & Grodek, 1984).

Rage... jealously... lying... resentment... blaming... greed... These forbidden feelings and behaviours arise from the dark, denied part of ourselves - the personal shadow. In a collection of 65 wide-ranging articles, Meeting the Shadow presents an overview of the dark side of human nature as it appears in families, intimate relationships, sexuality, work, spirituality, the New Age, politics, psychotherapy, and creativity. It also offers tools for individual development by teaching shadow-work, which enables us to- achieve a more genuine and complete self-acceptance; defuse the negative emotions that erupt in daily life; release the guilt and shame associated with negativity; recognise the projections that colour our opinions about others; heal our relationships through deeper authenticity; and use writing, drawing, and dreams to reclaim the disowned parts of ourselves. Although we think of the shadow as containing only darkness, as Jung stated, its essence is "pure gold."

To subvert is to bring to the fore what is hidden beneath the forms of bourgeois respectability - a respectability in which every human contents has its price. To subvert is to imagine the communist individual in revolt against any system - economic, political, cultural or religious - where humanity is no more than an object to be manipulated, exploited, and dominated. This volume examines the social-historical constitution of capitalism and its dynamic, analyses the contemporary means of subversion-in-movement, and assesses the trajectory of struggles in the Americas, from Argentina to Mexico, from Bolivia to the United States of America. Authors include the Midnight Notes Collective, Massimo De Angelis, Werner Bonefeld, Paul Zarembka, Mariarosa Dalla Costa, the Leeds May Day Group, Harry Cleaver, Nick Dyer-Witheford, Stevphen Shukaitis, Ana Dinerstein, George Caffentzis, Conrad Herold, Patrick Cuninghame, and Sergio Tischler.

In interwar and post-Holocaust New York, Yiddish autobiographers responded to the upheaval of modern Jewish life in ways that combined artistic innovation with commemoration for a world that is no more. Imagining Lives: Autobiographical Fiction of Yiddish Writers is the first comprehensive study of the autobiographical genre in Yiddish literature. Jan Schwarz offers portraits of seven major Yiddish writers, showing the writer's struggles to shape the multiple identities of their ruptured lives in autobiographical fiction. This analysis of Yiddish life-writing includes discussions of literary representation, self and collectivity, and memory in modern Jewish literature. Schwarz shows how Yiddish autobiographical fiction fuses novelistic elements and memoiristic truthfulness in ways that also characterize Jewish life-writing in English and Hebrew. His accessible style, biographical sketches, glossary of Hebrew and Yiddish words, and careful survey of notable texts takes readers on an incomparable journey through modern Yiddish literature.

In Dickens Imagining Himself the author applies biographical materials to analysis of art by examining the way elements in Dicken's life led his imagination to shape his novels. This is a study of how Dickens' self-perceptions guided the patterns of six created worlds at significant points in his life. Contents: What Sort of Consanguinity; Barnaby Rudge: Two Cheers for Maturity; Martin Chuzzlewit: Ambiguously Whittington; David Copperfield: Memory and the Flow of Time; Bleak House: Passing the Bog; Great Expectations: Defining Estella; Our Mutual Friend: Reborn with Galatea; Eclectic Affinities; Notes; Index.

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