comedy-cinema-theory

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Comedy Cinema Theory

Author : Andrew Horton
ISBN : 0520070402
Genre : Performing Arts
File Size : 35. 38 MB
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The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together. Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags. Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe. As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.

The Fun Factory

Author : Rob King
ISBN : 9780520255388
Genre : Performing Arts
File Size : 37. 43 MB
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From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.

Film Comedy

Author : Geoff King
ISBN : 1903364353
Genre : Performing Arts
File Size : 30. 20 MB
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Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.

Humor In Middle Eastern Cinema

Author : Gayatri Devi
ISBN : 9780814339381
Genre : Performing Arts
File Size : 89. 61 MB
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While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.

Horrific Humor And The Moment Of Droll Grimness In Cinema

Author : John A. Dowell
ISBN : 9781498565004
Genre : Social Science
File Size : 70. 13 MB
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Horrific Humor and the Moment of Droll Grimness in Cinema explores the moment in audience reception where screams and laughter collide. Essays examinine the aesthetics and mechanics of the sLaughter moment, the impact of its frission of humor and horror on the viewer, and sLaughter’s implications for the human condition more generally./span

Humor

Author :
ISBN : STANFORD:36105121660141
Genre : Wit and humor
File Size : 81. 33 MB
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Film Criticism

Author :
ISBN : STANFORD:36105005589143
Genre : Motion picture plays
File Size : 64. 1 MB
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Theory And Practice

Author :
ISBN : UOM:39015057438874
Genre : Music
File Size : 90. 15 MB
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Contemporary French Cinema 2nd Edition

Author : Guy Austin
ISBN : UOM:39015078797175
Genre : Performing Arts
File Size : 81. 81 MB
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Tracing the history of contemporary French cinema, Guy Austin addresses key issues in French films such as national identity, representations of sexuality and the new realism.

The Secret Life Of Romantic Comedy

Author : Celestino Deleyto
ISBN : UOM:39015078787655
Genre : Performing Arts
File Size : 58. 83 MB
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The secret life of romantic comedy offers a fresh approach to one of the most popular Hollywood genres in recent years and analyses the cultural impact of generic conventions in the construction of issues of intimacy and sexuality.

Inventing Jerry Lewis

Author : KRUTNIK FRANK
ISBN : UOM:39015042482904
Genre : Performing Arts
File Size : 69. 28 MB
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Examining such early '60s solo works as The Bellboy, The Nutty Professor, and The Patsy, Krutnik explores the ways in which Lewis both dismantled the conventions of film comedy and manipulated the codes of his public identity. Charting the decline of Lewis's film career and his simultaneous rise to fame as the emotional powerhouse of the Muscular Dystrophy Association telethon, the author also traces Lewis's attempt to create a serious, adult image to replace that of the aging 'kid'"--Jacket.

Comedy

Author : T. G. A. Nelson
ISBN : 0192892207
Genre : Comedy
File Size : 53. 92 MB
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From Plautus, Cervantes, and Charles Dickens to Evelyn Waugh, Joseph Heller, and Tom Stoppard, from A Midsummer Night's Dream to Arsenic and Old Lace and Woody Allen, this concise and readable book provides a thorough introduction to comic criticism. Nelson argues that there are significant recurring patterns of comedy, both in the classics and in more popular and commercial works. He discusses such themes as the link between comedy and carnival, the apparent obsession of modern writers with linguistic comedy, and the dilemma of feminists faced with traditional comedy that is largely sexist in nature.

Discourse Strategies And The Humor Of Rakugo

Author : Patricia Marie Welch
ISBN : UOM:39015041794028
Genre :
File Size : 27. 69 MB
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International Index To Film Periodicals

Author :
ISBN : UOM:39015016319181
Genre : Motion pictures
File Size : 75. 73 MB
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Approaches To Comedy In German Drama

Author : Gillian Pye
ISBN : STANFORD:36105110290744
Genre : Drama
File Size : 73. 43 MB
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The aim of this book is to adopt a holistic method in order to explore the question of comedy as narrative and dramatic structure in a selection of contemporary German language dramas. This book also seeks to suggest some of the ways in which comedy does in fact have a significant role to play in ther German theatre of the late 20th twentieth century.

American Cinema American Culture

Author : John Belton
ISBN : UOM:39015029078964
Genre : Performing Arts
File Size : 88. 27 MB
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Developed to accompany the Annenberg-funded telecourse American Cinema, and written under the aegis of The New York Center for Visual History, this text offers a fascinating look at the interplay between the movie industry and mass culture in America. Ideal for film appreciation and film and culture courses found in Cinema Studies, English, History, American Studies, or other departments, American Cinema/American Culture first examines the industry, its narrative conventions, and its cinematographic style. Following this introduction, students are exposed to the sweep of film history in the U.S. using five genres as the bases for discussion and focusing on the point at which each had the greatest affect on the industry, film aesthetics, and American culture. Finally, the book concludes with a look at Hollywood post World War II, giving separate chapter coverage to the effects of the Cold War, television, the counterculture of the Sixties, directors from the film school generation, and the trends of the Eighties and Nineties.

Asian Cinema

Author :
ISBN : IND:30000070301779
Genre : Asians in motion pictures
File Size : 42. 33 MB
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Giuseppe Tornatore

Author : William Hope
ISBN : STANFORD:36105127410608
Genre : Performing Arts
File Size : 26. 66 MB
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The nature of the spectator''s emotional and intellectual engagement with films has attracted increasing critical scrutiny over the past decade, and theoretical frameworks have been elaborated to analyse how and why viewers are moved by what they see on screen. Viewer responses are influenced by factors including genre expectations, involuntary physiological reactions to what is seen and heard, shifting attachments towards screen characters, and by specific devices within a film''s mise-en-scene, such as lighting and colour. Giuseppe Tornatore: Emotion; Cognition; Cinema is a film-by-film analysis of the work of the Oscar-winning director, a study that examines the nature of the strong affective charge that characterizes his films, and which also explores the cognitive and intellectual appeal of Tornatore''s cinema. The volume illustrates the ways in which an affective and intellectual synergy can develop between a film''s aesthetics and its conceptual agenda, as instantiated by films such as the celebrated Cinema Paradiso. The affective power that characterizes Tornatore''s work has long been acknowledged by critics, and while analysing the configurations of visual, aural, and narrative devices that generate such intensely poignant viewing experiences, the volume also elucidates the ways in which the director''s stylistic approach intensifies the significance of a range of social and cultural questions affecting Western society, issues that lie at the heart of his films. Reviews of the Book: Giuseppe Tornatore is one of the few authentically original voices to emerge in the cinematic world over the past quarter century. He champions community values, solidly grounded in emotional engagement and interaction, over the brash, loud, self-proclaiming egocentricity that has increasingly dominated western societies since the nineteen-eighties and, paradoxically, isolated the individual ever more intensely within his own subjective world. Yet, viewed superficially, his narratives appear old-fashioned, flirting frequently and precariously with overt melodrama and sentimentalism while managing nevertheless to mount a powerful critique of what our societies have become and what they have sacrificed that makes them the poorer. Eschewing the alienating, ironical deconstructionism of most of his contemporaries, Tornatore subtly employs every technical device at his disposal to enforce the spectator''s identification with the wistfulness of his protagonists, in their growing awareness of a sense of personal loss and nostalgia. Yet, this fulfils only part of his intention, for having snared us in a tangle of emotions, he then, in Pirandellian fashion, propels us towards the moment of intellectually-charged reflection, in which the film''s apparently negative terminus ad quem is transformed into the forceful negation of those contemporary values that have brought about the protagonist''s sense of moral and affective dislocation. William Hope''s authoritative study carefully charts these processes as they unfold within individual films and across successive films, not neglecting, when appropriate, to comment on Tornatore''s continual refinements and extensions of his conceptual framework and applications of his visual techniques. However, this book goes well beyond illustration of a thesis for it is also concerned with how we watch films and react to them and how, through carefully judged juxtapositions of his material, use of cameras, variations in intensity of music or silences, and so on, Tornatore is able to make use of this essentially psychological knowledge to manoeuvre his spectators towards a realisation of his own cinematic, which is to say, moral vision of the contemporary world. Professor Doug Thompson, University of Hull William Hope''s work gives to the cinema of Tornatore the degree of analytical thoroughness that it merits, (but which, until now, has not been afforded to this important contemporary director). The book offers a clear overview of Tornatore''s films, and of the social and cultural context within which they are produced. Hope assesses the relevance of contemporary critical theory to the reception of Tornatore''s work and especially to Cinema Paradiso. In so doing, he makes a valuable contribution to our understanding of Tornatore as a film-maker. Pauline Small, Queen Mary College, University of London

Womenvision

Author : Lisa French
ISBN : STANFORD:36105111817701
Genre : Performing Arts
File Size : 26. 11 MB
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Intellectually stimulating and a pleasure to read, these essays offer new insights and are essential reading for those who wish to understand fully our national cinema.

The Road To Reno

Author : Jane M. Greene
ISBN : WISC:89083392845
Genre :
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